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Sister Deborah: Ghanaian Firebrand Flaunts Style in South Africa

From midnight velvet to angelic white, Sister Deborah's fashion choices are a visual manifesto of her daring taste and rebellious spirit.

Yaayaa Brobbei
Yaayaa Brobbei - Jnr. Writer
Sister Deborah. Photo Credit: Sister Deborah/X

Ghana’s own Sister Deborah, birth name Deborah Vanessa Owusu-Bonsu, is causing a stir in Cape Town, South Africa with her bold fashion choices.

This queen of controversy isn’t just known for her catchy beats; she’s a fiery champion for LGBTQ+ rights too.

Recently, she strutted through undisclosed locations, showcasing not one, but three jaw-dropping gowns. Each a statement piece, each a masterclass in style, these gowns are a visual manifesto of Sister Deborah’s unapologetic spirit.

Look 1

Drip or Drop

Rating: 3 out of 5.

Deborah didn’t just enter the room; she owned it, wrapped in a slinky, midnight velvet gown that dared you to look away. Crafted by the provocateurs at THE HOUSE OF PAÓN, the strapless dress featured a daring see-through corset, its cups embroidered with the promise of both class and scandal.

The dress clung to her like a second skin, a testament to the power and confidence that her presence commands. Striding in with colour as deep as her convictions, Deborah was the embodiment of seductive strength – a siren in the night, unafraid to lure in the tough dialogues that others dodge.

Look 2

Drip or Drop

Rating: 3.5 out of 5.

For her second look, Sister Deborah utterly defied expectations, slipping into a sinfully elegant white ruffle off-the-shoulder gown from HOUSE OF PAÓN. Dangling by the poolside, she was a vision in white—the gown’s flow whispered of forbidden glamour.

Clutching a white beaded purse from 𝑨𝒈𝒖𝒅𝒊𝒆 by Nana, she was nothing short of tantalizing, a stark departure from her prior, more demure attire. This angelic garb? A coy play of innocence, a tease of her multifaceted artistry.

Look 3

Drip or Drop

Rating: 3 out of 5.

For her third ensemble, she didn’t just show up, she owned the room. Draped in a spagetti strap gown from Nabi that clung to her like a second skin, elegance, and audacity went hand in hand. And just when you thought she was all about timeless grace, those yellow polarised sunglasses landed a punch of edgy defiance.

The gown’s mosaic of black, blue, and brown? A clear salute to her unapologetic spirit. Sister Deborah didn’t just wear jewelry from UPCYCLED THRIFT Ghana; she bore each piece like a declaration of her unmistakable flair.

Deborah’s fashion choices including braids from Just Sparkle & Shine Beauty Studio are a bold testament to her mercurial prowess, seamlessly oscillating between a commanding presence and ethereal elegance.

Sister Deborah isn’t just playing dress-up; she’s flaunting her daring taste in the face of a society tangled in the throes of LGBTQ+ politics. Her fashion isn’t just about looking good; she’s a walking, talking rebellion, with every outfit screaming support for a cause that refuses to be silenced.

Her threads do more than dazzle; they’re a battle cry for equality, worn proudly and unapologetically. Sister Deborah isn’t here to play—it’s a fashion revolution, and she’s leading the charge.

Whether draped in black or white, Sister Deborah continues to be a force to be reckoned with, both in the music scene and in the fight for equality.


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Yaayaa Brobbei
Yaayaa, a discerning fashion critic, scrutinizes Ghanaian music industry's sartorial choices, influencing musicians' image and influencing their performance in the fashion-centric music scene.
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Jnr. Writer
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Yaayaa, a discerning fashion critic, scrutinizes Ghanaian music industry's sartorial choices, influencing musicians' image and influencing their performance in the fashion-centric music scene.
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