Renowned media personality Nana Romeo has issued a definitive claim regarding Piesie Esther’s impact on Ghana’s music considering the 2025 year under review. Amidst growing discourse surrounding year-end acknowledgments, Nana Romeo is calling for a more transparent evaluation of artist contributions, specifically within the gospel fraternity.
In a recent address, he highlighted a perceived disconnect between artistic output and industry recognition. The radio host challenged the prevailing narratives that occasionally overlook high-performing artists in favor of specific “agendas.”
“Let’s be honest for once. I’m seeing the moves. I’m seeing the silence. I’m seeing how some industry agenda conveniently skip names when it’s time to give credit where credit is due, especially in the Gospel space,” Nana Romeo remarked.
Piesie Esther is said to have had an emphatic 2025 campaign, defined by three core pillars; visibility, consistency, and ministry-driven impact.
Nana Romeo’s claim of an “erasable” Piesie Esther legacy in 2025 is backed by a robust portfolio of musical releases and live ministrations that dominated both the airwaves and digital charts.
In August 2025, Piesie Esther released “Nyame Ye” produced by Kuami Eugene, which became the anthem of praise and an instant favorite. The record amassed millions of views and was trending across West Africa. Prior to that, she had released “Gyidi Kese” (medley), a soulful collection of worship songs and “Ogya” which gained significant traction on streaming platforms like YouTube and Apple Music.
Piesie Esther also put up her flagship program, the “Flora Made By Grace Concert”, continuing to be a landmark on the Ghanaian gospel calendar, drawing thousands to experience live ministry. The year also saw her expanding her reach with significant performances abroad, including a widely publicized “Summer Worship” session in Toronto.
Concluding his statement with professional resolve, Nana Romeo made it clear that while awards are subjective, work ethic and results are not.
“Whether people like it or not, I’ve worked in 2025. Loudly, consistently and impactful. The songs, the reach, the ministry, the visibility, everything lined up. You can choose to ignore it, but you cannot erase it. 2025 cannot be mentioned without mentioning Piesie Esther,” he stated.
